Horses

While the subject matter—a herd of horses—is a staple of Mongolian landscape and nomadic art, Shagdarjav eschews realism in favor of Geometric Abstraction.

• Form: The horses are rendered through a series of interlocking shapes and sharp, angular lines. The artist deconstructs the anatomy of the animals into simplified planes, using the contrast between curves and hard edges to suggest movement and power.

• Space: The composition lacks a traditional vanishing point, leaning instead toward a flattened, Modernist perspective. The overlapping forms create a sense of depth and a crowded, bustling energy, characteristic of a herd in motion.

• Color Palette: Utilizing the versatile nature of acrylics, Shagdarjav employs a sophisticated color story. Expect a blend of earthy tones—reminiscent of the Mongolian steppe—interspersed with bold, contemporary pigments that highlight the “sculptural” quality of his painting style.

Interpretive Analysis

Shagdarjav’s background in both sculpture and painting is evident in the “weight” of the figures. Each horse feels carved out of the canvas, reflecting his education at the State Pedagogical Institute and his deep roots in Tuv Aimag.

The painting serves as a bridge between the Modern/Contemporary art movement and the ancestral heritage of Mongolia. By stripping the horse down to its essential geometric essence, the artist moves beyond a simple “landscape” to explore the spirit and rhythm of the herd.

Technical Specifications