Horse Composition 2 is a striking synthesis of Mongolian equestrian tradition and modern abstract expressionism. Measuring a balanced 70 x 70 cm, the square format serves to contain a high-energy explosion of color and form that captures the spirit of the horse rather than a literal anatomical representation.
Composition and Style
True to Ochirbat’s background in Contemporary Figurative Expressionism, the painting moves away from static realism. Instead, the composition is built through:
Dynamic Movement: The “composition” is less about a single animal and more about the collective energy of the herd. Sweeping, gestural brushstrokes suggest manes, tails, and powerful haunches moving at speed.
Layered Abstraction: The artist uses a heavy application of oil paint, creating a textured surface where forms emerge and recede. One can discern the silhouettes of horses overlapping, creating a sense of depth and chaotic grace.
Color Palette: Ochirbat often employs a bold, emotive palette. In this series, he typically balances earthy tones—representative of the Mongolian steppe—with sudden bursts of primary colors (reds, blues, or yellows) that highlight the vitality and “spirit” of the subject.
Thematic Significance
As an artist born and raised in Ulaanbaatar, Ochirbat’s work is deeply rooted in the cultural identity of Mongolia.
The Horse as Symbol: In this piece, the horse is not merely an animal but a symbol of freedom, heritage, and the nomadic pulse of the land.
Modern Tradition: By applying Abstract Modern techniques to such a traditional subject, Ochirbat bridges the gap between his 1990s academic training and the evolving contemporary art scene of the 21st century.
