Rounded Composition 3

Bazo (Batzorig) Dugarsuren , 2009 , Oil On Canvas

A Symphony of Time and Motion

At first glance, Rounded Composition 3 is a hypnotic vortex that pulls the viewer into a deep, meditative state. The USP of this piece lies in its masterful interplay between the mechanical and the organic. Bazo utilizes a mesmerizing series of concentric circles that mimic the grooves of a vinyl record or the rings of an ancient tree, suggesting a sense of infinite rotation and the relentless passage of time. However, the true brilliance is found in the background: the canvas is layered with collaged newspaper fragments, adding a tactile, socio-political weight to the abstract form.

This juxtaposition creates a profound narrative—the “noise” of daily news and worldly events (the newspaper) is being centered and harmonized by the circular motion of the brush. The dark, brooding core of the painting provides an anchor of gravity, while the delicate drips at the bottom suggest that this cycle is fluid and ever-evolving. It is not just a painting; it is a visual representation of order emerging from chaos.


About the Artist

Batzorig “Bazo” Dugarsuren was born in 1979 in the Sukhbaatar Aimag of Mongolia. A prominent figure in the Mongolian contemporary art scene, Bazo is celebrated for his ability to synthesize traditional Mongolian sensibilities with modern, experimental techniques. His work often explores themes of memory, history, and the rapid transformation of society, frequently incorporating found materials and mixed media to bridge the gap between the past and the present. His distinct aesthetic has earned him international recognition, positioning him as a vital voice in Central Asian contemporary art.

  • Bazo (Batzorig) Dugarsuren
  • Sukhbaatar Aimag
  • Abstract, Geometric, Minimalist, Modern/Contemporary
  • Oil On Canvas
  • BAZ/003
  • 92 x 92cm
  • Valiant Art & Interiors

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A Symphony of Time and Motion

At first glance, Rounded Composition 3 is a hypnotic vortex that pulls the viewer into a deep, meditative state. The USP of this piece lies in its masterful interplay between the mechanical and the organic. Bazo utilizes a mesmerizing series of concentric circles that mimic the grooves of a vinyl record or the rings of an ancient tree, suggesting a sense of infinite rotation and the relentless passage of time. However, the true brilliance is found in the background: the canvas is layered with collaged newspaper fragments, adding a tactile, socio-political weight to the abstract form.

This juxtaposition creates a profound narrative—the “noise” of daily news and worldly events (the newspaper) is being centered and harmonized by the circular motion of the brush. The dark, brooding core of the painting provides an anchor of gravity, while the delicate drips at the bottom suggest that this cycle is fluid and ever-evolving. It is not just a painting; it is a visual representation of order emerging from chaos.


About the Artist

Batzorig “Bazo” Dugarsuren was born in 1979 in the Sukhbaatar Aimag of Mongolia. A prominent figure in the Mongolian contemporary art scene, Bazo is celebrated for his ability to synthesize traditional Mongolian sensibilities with modern, experimental techniques. His work often explores themes of memory, history, and the rapid transformation of society, frequently incorporating found materials and mixed media to bridge the gap between the past and the present. His distinct aesthetic has earned him international recognition, positioning him as a vital voice in Central Asian contemporary art.